Publication: English Literature in Transition 1880-1920
Publication Date: 22-SEP-08
Bradley Deane
"During the unofficial occupation of Egypt (1882-1914), British writers discovered a way to combine these two female characters--the contemporary veiled Arab woman and the majestic queen of classical antiquity--into a single fanciful figure that could embody the sexual and historical themes through which the "Egyptian Question" was popularly represented: the living mummy. Late-Victorian Britain experienced a minor craze for this creature of imperial fantasy, (1) and mummy stories continued to fascinate Edwardian readers and became a staple of twentieth-century film. We are now more accustomed to the extensive cinematic tradition of grotesquely desiccated male monsters relentlessly avenging the violation of their tombs, but Victorian and Edwardian mummies embody Egypt in terms strikingly like those of the prurient Punch cartoons. The typical mummy of Victorian and Edwardian fiction is a woman, and one who, perfectly preserved in her youthful beauty, strongly attracts the libidinous attention of modern British men. While their desire is certainly a cause of some ambivalence, it is nevertheless the case that the men in these stories are less inclined to flee from a mummy than to marry her, to see in her a chance to be kissed rather than cursed. In short, the Victorian mummy narrative is a love story, one as politically charged as the Punch cartoons."
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