RHETT MILLER
Rhett Miller
Shout Factory
"Indie" as a label for a band should be used in a strictly limited sense to refer to a band unaffiliated with the major labels. Used to suggest a sensibility, or a sound, the word is layered with unfortunate associations.
For instance, it's easy to say that Rhett Miller's band, the Old 97's of Dallas, Texas, have, for over a decade, been a beloved indie/alt-country fixture. And that's a shame.
Because the Old 97's aren't an indie/alt-anything band, but rather a near great rock & roll band within the broad river of tradition that flows from the Byrds. They practice certain lost arts, like the high-energy hook, that few know anymore They come on with a buzz and a whack and gorgeous melodic fillip. They command power chords and distortion as well as really from-the-heart sweet melodies and consistently diverting songwriting from frontman Rhett Miller--Miller, wearing his bleeding heart on his sleeve, love-obsessed, gangly, held together by twining strands of heartbreak and pugnacity. And there seems to be no reason for them not to sell large quantities of records. Except that their leader still seems to be a prisoner of the indie mind.
Indie cults are based on the myth of the beautiful loser, often personified in the pale ruined boy who fronts the band. As a band, the Old 97's don't seem interested in being beautiful losers. But Miller? If his new solo album is an indication, he sounds prepared to milk the personae of pale ruined boy for all it's worth.
Read the rest in the BlueGrassSpecial.com.
My 2nd attempt at this. I wouldn't mind calling it a day in the 40-acre wood, either. I wonder if Brian is buried there?
ReplyDeleteI never liked the Stones after Altamont. I don't think Jones would have been cool with "The Greatest Rock & Roll Band" nomicker, and $2,000 per seat tickets. He'd likely sigh, "ah me, oh well..."